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�鶹��Ѱ�����Boulder alumna Julie Chavez reflects on her new memoir, which chronicles her journey through a mental health crisis to finding a new motto: ‘Be adequate’

When Julie Chavez (Span’00) graduated from the �鶹��Ѱ����� with a major in Spanish language and literature, she didn’t see herself becoming an author. As a self-proclaimed “lifelong reader” who blogged for fun, she’d been told many times that she should write a book.

Although flattered, Chavez, who lives in Pleasanton, California, with her husband Mando Chavez, a 1999 �鶹��Ѱ�����Boulder graduate, and their two sons, was comfortable in her role as a librarian at her sons’ school. And besides, she says, “I didn’t know what I wanted my story to be.”

�鶹��Ѱ�����Boulder alumna Julie Chavez (Span’00) describes learning to advocate for herself and let go of her perfectionist tendencies, embracing the motto “be adequate,” in her memoir Everyone But Myself.

That is, until her story found her.

When anxiety and perfectionism culminated in a debilitating panic attack and a paralyzing sense that she was always falling short no matter how hard she tried, Chavez’s world irrevocably changed.

After navigating many obstacles to accessing mental health services, working with a therapist to put her own proverbial oxygen mask on before tending to her family and finally learning to advocate for herself and let go of her perfectionist tendencies, she emerged with a new motto— “be adequate”—and the idea for the book she needed to write.��

Told with humor and honesty, Chavez’s new memoir, Everyone But Myself, released last year and named a Washington Post noteworthy book and a USA Today bestseller, chronicles her journey from the depths of a crushing mental health crisis to a life filled with joy and purpose. Chavez spoke with Colorado Arts and Sciences Magazine to explain the story behind the story.

Question: What motivated you to write Everyone But Myself?��

��󲹱����:��I knew that if I was going to write a book, it would have to have value for readers. Even though I loved writing, I didn’t see myself as a fiction writer and I didn’t think I had a story to tell.

But then I had my annual review with my principal. Over the prior year, my mental health had taken a nosedive, and I thanked her for having shared her own struggles with me during that time. Her candor really helped me through what I call my ‘mid-mom crisis’—which I later learned is something that many over-extended working moms struggle with as our elementary grade kids grow into humans who don’t need us intensely as they once did.

She said, ‘That’s what you should write your book about.’ That was when I realized that my story could truly be helpful for someone else.

Question: Who is Everyone But Myself for?

Chavez: I wish it hadn’t taken debilitating anxiety for me to finally understand that my self-care and creating boundaries around my own happiness was not only good, but necessary.

So, I wrote this for all the readers who see themselves in my story. It’s for the perfectionist moms, the anxious moms, the moms who, in trying to do their best for their families, have inadvertently abandoned themselves.

In her memoir Everyone But Myself, �鶹��Ѱ�����Boulder alumna Julie Chavez chronicles her journey from the depths of a crushing mental health crisis to a life filled with joy and purpose.��

It’s also for all the moms who feel they don’t ‘deserve’ help. I love my life and my family so much. I feel grateful that I get to live a relatively comfortable life. And yet, even with all the privilege I’ve been afforded, I was taken aback at how aggressively and how quickly my mental health declined—and how hard it was to find a therapist when I needed one.

We tend to put our suffering on a ‘sliding scale’ or to minimize it by comparing it to other people’s problems but the truth is, when it’s hard, it’s hard, and it’s OK to ask for help.

Question: What challenges did you encounter on the road to publication?��

��󲹱����:��The book you have in your hands is my fourth rewrite. I can’t tell you how many times I asked myself whether it was worth it.

I started writing in the spring of 2019 and by the end of the year I had 30,000 words, which I thought was a book. It wasn’t. Then, I attended a class on publishing, where I learned that without a platform, it would be extremely difficult to find a publisher, particularly for a memoir.

So, I started working with a hybrid publisher, who recommended a rewrite. Meanwhile, [publisher] Zibby Owens’ Book Club published an essay of mine, which was an excerpt from the book, which did really well. Zibby ended up taking me on as one of her first acquisitions, and I parted ways with the hybrid publisher.��

Following advice from Zibby’s team, I started a fresh rewrite. Instead of a memoir, it was an essay collection, but it just didn’t work. So now, I had an agent and I was starting with a blank page, which is actually kind of backward. Usually you get an agent once you have a fully written manuscript. I finished that version in December of 2022 and the book was published just over two years later.

Through it all, I had to re-learn the same lesson I learned in the pages of my book—that I had to keep showing up, remember my “why,” and not be too attached to the outcome.

Question: What has surprised you over the course of your publishing journey?

Chavez: There’s been a surprising number of women who have said, ‘You are telling my exact story.’ So many have said that after reading my story, they understand what they’re going through, which has been wonderful.

That was always my hope—that my book could be a friend to them and to open the door to the kinds of conversations we need to have.

But my favorite thing is when someone says they’re giving it to a friend or asks me to sign it for their sister.

This interview has been edited for length and clarity.

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