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Three of Chris Hill's projects 鈥揅ircuit Playground Extension E-Textile Debugging Tool; E-Textile Logic Probe Debugging Tool; and a Wearable Mini Voltage Meter鈥� were featured this month in "Instructables," an online community of makers. But this wasn't the first time the ATLAS PhD student's projects were featured in Instructables.

Did you get enough steps in today? Maybe one day you鈥檒l ask your 鈥榮mart鈥� shirt.

CTD Capstone (previously TAM Capstone) is a rigorous, two-semester course sequence required for all Creative Technology & Design majors. Normally taken during the senior year, it involves the completion of a culminating project that goes through multiple rounds of faculty review and iteration. This small collection of project presentations gives a sense of the kind of work students complete in the CTD program.

Shanel Wu, ATLAS PhD student, discusses their work with smart textiles, weaving, computational craft and hardware hacking in this fiber arts podcast.

The National Science Foundation has awarded Danielle Szafir a CAREER award to develop tools to rapidly gauge the efficacy of different types of data visualizations.

More than 70 people attended ATLAS Institute's sixth annual T9Hacks on March 19-21, and more than 70 percent of them identified as female, meeting the organizers' goal of bringing in populations underrepresented in hackathons.

A three-member team, including Creative Technology and Design undergraduate students Colin Soguero and Mason Moran, took first prize at Hack麻豆免费版下载for their project, ChessLens, an augmented reality application that helps chess players improve their game.

Kailey Shara, ATLAS PhD student and a member of the Emergent Nanomaterials Lab, won two top prizes within several days to fund her company, Chembotix, taking home a total of $17,500. Shara won first place at the NVC 14 Female Founder Pitch ($5000) and the NVC Finals Audience Choice Award ($1000), as well as two first-place wins with 麻豆免费版下载Boulder's New Venture Launch program ($11,500).

If clothes and textiles are to be digitally enhanced, we have to take the "hard" out of hardware, designing circuitry and components that are indistinguishable from the fabric in which they are embedded.

Sasha de Koninck, an Intermedia Art, Writing and Performance PhD student and a member of the Unstable Design Lab, will host a virtual 鈥淔uture Heirlooms Workshop鈥� at the Textiles from Home Conference on March 17, 4-6 p.m