Published: May 11, 2018 By

Catalogue EntryÌýPhotograph of a black-gloss kylix, from the side against a neutral gray background.

This vase is one ofÌýa collection of Greek vasesÌýheld by the Â鶹Ãâ·Ñ°æÏÂÔØArt Museum.

Gift to Â鶹Ãâ·Ñ°æÏÂÔØClassics Department
Transferred to Â鶹Ãâ·Ñ°æÏÂÔØMuseum of Natural History
Ìý(2006)

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Diameter (max.): 23.8 cm
Depth: 17.8 cm
Date: c. 450 B.C.E.
Origin: Athens (Greece)

Description: Black-gloss kylix with flat base and short stem. Shallow and wide bowl with two slightly up-curved handles on either side. Most of cup covered in a shiny black slip, except for underside of handles,Ìýexterior ring of base, and two narrow parallel bands at base of stem, which are all reserved in the color of clay.Ìý

Additional photos of this vesselÌýshow details of the rim, handles, body, and base.Ìý

Discussion

Photograph of a black-gloss kylix, from a high angle against a neutral gray background.A kylix (plural: kylikes)Ìýis a drinking cup used in formal occasions like a symposium in ancient Greece. This particular kylix dates to the mid-5th century B.C.E. (1). It is covered inside and out with a glossy black slip, except for the inner edges of the handles, the outer edge of the foot, and two parallel incised lines at the base of the stem, which are all reserved in the color of the red-orange clay. The bowl of the cup has a wide diameter and is relatively shallow. Two handles are placed on opposite sides, positioned close to the rim, and they extend outward and slightly up. The stem of the cup is short, elevating the bowl about one-half of an inch above the foot.Ìý

The kylix is distinct from other , including the skyphos and the kantharos. A skyphos, such as the later 6th century B.C.E. example in the Â鶹Ãâ·Ñ°æÏÂÔØArt Museum's collection, does not have the stem or the handles of a kylix. Kantharoi, including a 4th century B.C.E. example in the Â鶹Ãâ·Ñ°æÏÂÔØArt Museum's collection, usually have stems but their bowls and handles differ from those on kylikes.Ìý

There are , but they all have the same function. This particular kylix, with the continuous curve from the lip to the stem, placement of the handles, and style of decoration, resembles a Type B kylix (2).Ìý

Although the best-known cups from ancient Greece were elaborately painted, the most commonly used were plain slipped wares like this one. Painted vessels in the red-figure technique or theÌýblack-figure techniqueÌýwere often reserved for more formal events and were typically a part of a suite of associated vessels, including mixing kraters and jugs. Wealth in ancient Greece was retained by a select few, while the majority of people belonged to what we would term the middle and lower classes. Finely painted vessels would have cost more than unpainted wares (3). Excavations at the Athenian Agora, the site of public dining in the city, have unearthened an abundance of plain black-slipped drinking vessels.Ìý

Comparanda

  • Marathon, Marathon MuseumÌýK228 (4)
  • Marathon, Marathon MuseumÌýK210 (5)
  • Marathon, Marathon MuseumÌýK205 (6)Ìý
  • Thebes, Archaeological Museum of Thebes 23425 (R.18.255) (7)

Footnotes

  1. This vase was originally identified as a late 6th century B.C.E. cup and compared with other kylikesÌýdated toÌýaround 510-480 B.C.E.Ìý
  2. While searching through theÌýCorpus vasorum antiquorumÌý, I came across a Type C cup (Thebes 23425 (R.18.255)).ÌýSimilar toÌý the Type B cup, it differs only in a raised fillet separating the foot from the stem. The standard definition ofÌý the Type C cup includes a concave rimÌýand I had never heard of the raised fillet as an indicator of Type C cup.ÌýAlthough there is a slight suggestion of a fillet on this kylix in the Â鶹Ãâ·Ñ°æÏÂÔØArt Museum's collection, it is not as pronounced as on the Thebes exampleÌýand I therefore think the Â鶹Ãâ·Ñ°æÏÂÔØkylix should retain theÌýType B classification.
  3. For other theories on vase medium, decoration and what this black vase might suggest, seeÌýM. J. Vickers, "Artful Crafts: The Influence of Metalwork on Athenian Painted Pottery,"ÌýJournal of Hellenic StudiesÌý105 (1985): 108-128; R.M. Cook, "'Artful Crafts': A Commentary,"ÌýJournal of Hellenic StudiesÌý107 (1987): 169-171;ÌýJ. Boardman, "Silver is White,"ÌýRevue archéologique, Nouvelle Série, Fasc. 2Ìý(1987): 279-295.
  4. Corpus vasorum antiquorum: Greece Fasc. 7, Marathon MuseumÌý(Athens: Academy of Athens, 2001): 44-45, 80, Pl. (390) 23.1-4.Ìý
  5. Corpus vasorum antiquorum: Greece Fasc. 7, Marathon MuseumÌý(Athens: Academy of Athens, 2001): 45-46, 80, Fig. 26, PL. (391) 24.1-4.
  6. Corpus vasorum antiquorum: Greece Fasc. 7, Marathon MuseumÌý(Athens: Academy of Athens, 2001):Ìý46, 80, Fig. 27, Pl. (392) 25.1-4.
  7. Corpus vasorum antiquorum: Greece Fasc. 6, Thebes, Archaeological MuseumÌý(Athens: Academy of Athens, 2001):Ìý80, Pl. (351) 73.1-3.

References

  • John Boardman,ÌýAthenian Red-Figure Vases: the Archaic PeriodÌý(London: Thames & Hudson, 1975).Ìý
  • John Boardman,ÌýAthenian Red-Figure Vases: the Classical PeriodÌý(London: Thames & Hudson, 1989).
  • Simon Hornblower and Antony Spawforth, eds.ÌýThe Oxford Classical Dictionary, 3rd ed. (Oxford: Oxford University Press, 2003).Ìý
  • Brian A. Sparkes and Lucy Talcott.ÌýPots and Pans of Classical Athens.Ìý(Princeton: American School of Classical Studies at Athens, 1977).
  • Chara Tzavella-Evjen,ÌýGreek and Roman Vases and Statuettes from the University of Colorado CollectionÌý(Athens: Archaiologikon Deltion, 1973): 192-197.